This thesis will explore the role of the director in crafting compelling performances for the screen, as framed by contemporary theories, and with reference to historical concepts. It investigates the effects of genre, budget and style, assessing how each stage of production can be maximised to reach the full potential of a performance and how the characteristics of a director working in tandem with both actor, camera and editor can create strong acting performances.
The following research has been led by my work as writer-director for On Tilt (Bruce, 2024) with the aim of developing a more in depth understanding of how the filmmaking process serves the formation of character and narrative from the perspective of the director. This research will serve not only as a tool for my own development as a filmmaker, but also provide context to the decisions I made that can be used to inform future projects.
This research offers a perspective from a first-time writer and director with the additional role of producer, representing a contemporary outlook on independent filmmaking from a student perspective and the demands involved. Its significance will prove particularly poignant given the major complications due to unforeseen technical issues discovered during post-production, looking into the decision-making process as every effort is made to deliver a short film that embodies what defines “strong” acting.
PLEASE NOTE: You must be a member of the University of Lincoln to be able to view this dissertation. Please log in here.